CLOCKED OUT
A quiet study of the working class after the whistle blows — Clocked Out captures the hours that belong to no one. The factory lights are off, but the weight of labor lingers in every gesture, every silence. These portraits aren’t about heroism; they’re about endurance — the small, private negotiations between exhaustion and identity. Cigarettes burn slower, dinners go cold, mirrors confess more than they reflect. In these moments, the world stops pretending that survival is purpose. Clocked Out is where ambition fades, ritual begins, and the machinery of human routine keeps turning long after the shift ends.
A worker steps into the evening, dust rising at his heels. The glow of the Employees Only sign burns behind him like a relic — a border between survival and solitude. His head tilts down, not in defeat, but in the slow unwinding of effort. The factory hum still lingers on his skin; the day’s weight hasn’t left yet. This isn’t rest — it’s the quiet intermission between who he is for the world, and who he gets to be after it. JUL 28 ’06 — a day that could be any day. A man, clocked out, still carrying the echo of labor.
Four men ride in silence, their uniforms blending into the bus seats — a moving extension of the factory floor. No one speaks; they’ve already said everything through labor. The man with the metal lunchbox grips it like an heirloom. Another stares into the glass, seeing only the reflection of fluorescent fatigue. The city outside burns dimly, its colors still caught between dusk and duty. Nothing heroic. Nothing tragic. Just the quiet gravity of survival — shared, unspoken, eternal. JUL 28 ’06 — the clock still ticks, even when the day is over.
Mud still fresh, socks tucked inside — the boots rest like spent soldiers by the door. Beside them, a single cold beer sweats under the hum of a distant television. He hasn’t made it inside yet. Doesn’t need to. This is the first breath after survival — the pause between labor and letting go. The driveway becomes a confession booth, the beer a small mercy. JUL 28 ’06 — the world keeps spinning, but for one tired man, it finally stops.
The cigarette burns slower than time. His back presses against the brick wall, rough and indifferent, matching the factory that just demanded more of him. He was supposed to be on his way home. But the foreman asked — no, told — him to stay. So he smokes, quietly reshaping rage into resolve. There’s no music here, no protest, no words. Just the low hum of a vending machine and the weight of a man who knows tomorrow will look exactly like today. JUL 28 ’06 — when duty replaces choice, and silence becomes survival.
The clock behind him ticks louder than her voice. The stew’s gone cold — not that it matters. He’s chewing through the day instead of the food, swallowing every word he didn’t say to his boss, and every one he can’t say to her. The wallpaper hums with domestic tension, a quiet kind of violence. Work ends, but labor doesn’t — it just changes tone. JUL 28 ’06 — the longest minutes of the shortest meal.
He’s walking toward the factory, not the sunrise. The light just happens to be there. His grandfather’s voice still rattles in his skull like a loose bolt — “A man should be at his station before the sun.” Those were the rules. You worked, you built, you didn’t complain. American cars were made with pride, he’d say. The kind that came from calloused hands and burned lungs. The kind that didn’t question what pride cost.Now, it’s just him and the tracks — one leading to the plant, the other to nowhere. JUL 28 ’06 — legacy as burden, labor as inheritance.
The porch used to sound like laughter and dinner plates. Now it’s just wood creaking under the weight of silence. The dog still waits by the steps — loyal to a life that doesn’t exist anymore. He doesn’t smoke for pleasure. It’s just something to do with his hands when there’s nothing left to hold. The air smells like sweat, rust, and regret. Inside, the fan hums through another summer evening, indifferent as ever. JUL 28 ’06 — the day didn’t end. It just stopped mattering.
Steam fills the room, but it never quite clears the day away. His badge rests by the sink — proof he exists somewhere else, as someone else. The soap won’t reach that far. He scrubs harder, trying to rinse off the fluorescent lights, the small humiliations, the forced smiles. The factory smell lingers, clinging to his skin like a second uniform. Outside, dinner waits. The conversation will be light, the silence heavier. JUL 28 ’06 — cleanliness mistaken for peace.
The boots stayed on — no point taking them off when Monday’s already waiting. He said it’d be quick, “just a small situation.” By the time he got back, the house smelled like reheated leftovers and clean laundry. The TV hums to no one. The fan spins above him like time he’ll never get back. The remote rests on his chest like a badge of small surrender. He didn’t mean to fall asleep. He just stopped being awake. JUL 28 ’06 — exhaustion as prayer, rest as rebellion.
He looks at himself like he’s a stranger occupying a body he never asked for. The bathroom hums under the weight of the light — too yellow to be kind, too dim to forgive. As a kid, he used to tell people he’d be somebody. Now he tells himself he’s lucky to have a job. The mirror doesn’t argue. It just reflects what’s left after ambition goes quiet. The hands on his neck linger — not from pain, but from wondering when he stopped trying. JUL 2 ’06 — reflection as confession, survival mistaken for success.
© 2025 ARASH GIANI. ALL RIGHTS RESERVED.